A Critical Analysis of Sir Patrick Spens, The Ballad Essay

A Critical Analysis of Sir Patrick Spens, The Ballad Essay

‘Sir Patrick Spens’ is, for the most part, an archetypal early ballad being made up in poeme, with the normal alternating four-stress and three-stress lines and the second and fourth brand of each stanza rhyming. The poem is defined in medias res, telling certainly of the tragedy, quite possibly based on two voyages in the thirteenth-century which Scottish noblemen transported princesses to regal marriages, numerous members of Alexander III’s daughter Margaret’s escort too much water on the voyage home. The theme of tragedy and creating a plot based on local history are both components often noticed in the ballad form. However , the composition does also defy characteristics of the traditional ballad; it provides a third person narrative tone that is not actually impartial, which in turn contradicts the typically impersonal, distanced liaison commonly seen in this genre of poems. There is one of a satirical view with the higher classes, mocking the king’s decision to not withhold the voyage and also mocking the fact which the nobles boarded the send, for if they happen to have not, then your tragedy may have been avoided. The dark humour found in the personification of their hats that ‘swam aboon’(line 32) exemplifies some not especially sympathetic with all the drowning subjects, which in conjunction with the idea that ‘the play had been played’(line 31) suggests the inevitability that this would be the circumstance, clearly signifying a mockery of the decisions made by the larger classes. Early on ballads often contain good regional dialect as they had been originally orally transmitted. This specific dialect provides the reader a solid idea of the origins with the ballad and lends a feeling of authenticity towards the text, reaffirming the typicality of this particular ballad, being a further reference to it’s fundamentals in regional history. The dialect may also be used as a device to highlight sections of the ballad, for example , in the next used to explain the Full drinking blood-red wine or ‘blude-reid wine’ (line 2). This good image is definitely prefigurative of the tragic stopping of the poem and echoes the recently displayed concept that the narrator feels the king is in charge of this bad luck. The narrator’s view reflects the idea of ‘power without responsibility’ which makes this ballad somewhat ahead of their time. It was rare that royalty had been questioned if the ballad kind flourished in Scotland from the fifteenth 100 years onward. This notion which the poem is very a in front of it’s time implies that at least this kind of ballad negates the view of Ben Johnson’s dictum ‘a poet should detest a ballad maker’[1] as obviously here the early ballad demonstrates a brilliant use in it’s capability to convey a person’s personal politics view in a rather effective way, moving on their concept by word of mouth and tough the recognized.

Related Essays