The Dynamics in Alfred Hitchcock’s Rear Window and Psycho Essay

The Dynamics in Alfred Hitchcock’s Rear Window and Psycho Essay

Through the creative mind of Alfred Hitchcock came many a classic film, nevertheless two that stand out will be the thrillers Rear end Window and Psycho. These types of films catch the viewers and produce an atmosphere so unique that you experience as though you personally know the dimensions of the characters; sometimes you also feel like you’re becoming the characters. Even though the films have sufficient similarities that they both have very different moods and themes. Most of all the films can still withstand against today’s incredibly high-budget Hollywood movies. A main theme in Rear Window is usually voyeurism, displayed by Jimmy Stewart’s persona Jeff Jeffries. The same idea is also within Psycho with Anthony Perkin’s character Grettle Bates, but , unlike Backside Window, Psychotic doesn’t make use of it as the backbone with the plot. Reasons behind the behavior fluctuate in the films as well. Jeff Jeffries can be confined in his apartment because of his cracked leg therefore his voyeurism is a result of his boredom and fueled simply by his fascination. Norman Bates has more of your obsession wonderful behavior is related to his persona and not his circumstances. James Griffith put it best in his Film Comment article Psycho: Not Guilty because Charged when he said of Psycho, “…the film disturbs us not because of what allows us secretly to watch, but as it makes us confront the terror penalized secretly watched”(Griffith 76). Relating to Cyndy Hendershot in her Log of Well-known Film and Television article The Frosty War Fear Film: Taboo and Transgression in The Negative Seed, The Fly, and Psycho, “Psycho represents Hitchcock’s most specific connection to the horror genre and his the majority of blatant attempt to use criminal offense as equally content in a film and since a marketing strategy”(Hendershot 20). Although we can regard Psycho as being a film in the horror genre Rear Windows is more of a thriller mainly because it’s story elements are a small more light-hearted than Psycho’s. There is huge suspense in both stories, but the situations in Psychotic are much more shocking. Audio is key in both videos as well. Diegetic sound provides emotion although motifs make a distinct flavor. Of course , Psychotic has the typical string device motif which has been imitated and parodied every since it’s release. In Backside Window we now have the gentle, yet moon like music coming from the Songwriter’s apartment. The tune adds to the atmosphere of the dynamic courtyard and gives the film continuity, enabling the story to flow along while we all ponder and speculate. In the article Martha P. Nichols says from the Songwriter’s music, “Art can easily express the complex sizes of the human experience that could connect independent individuals”(Nichols 125), explaining the meeting of he and Miss Lonelyhearts at the conclusion with the film. Lively visuals contribute to the every sentiment in these films. Bright shades give your life to the courtyard in Rear end Window and sneaky camera angles in Psycho improve the viewer’s systematisierter wahn. Psycho was shot in black and white for the little price of $1 million, nevertheless the lack of color doesn’t eliminate from the effect it has around the audience (Wuntch). Low angles hasten the scenes with lots of suspense and unusual views make all of us feel closer to the personas. The extreme close-up on Norman Bates’ eye when he’s spying in Marion Raie is very personal and shows another side of the personality. Different color filters employed by Hitchcock in Rear Home window add to the feeling. The use of the color orange inside the courtyard and blue in Jeffries’ house contrast the 2 worlds. The earth Jeffries’ looks out in is separate from the the one that he is stuck in. Metaphors are present in both Rear Window and Psycho. Psycho has a fowl motif that may be present through the entire film. From your famous scene where Norman talks to Marion in the conventional hotel office for the name from the lead woman role, Marion Crane, parrots are a repeating theme. Hitchcock is able to employ every aspect in the film making process to his advantage in creating an enthralling history. From sound, to color, to the shortage there-of, Hitchcock produces top quality psychological thrillers. “Hitchcock assumed that canny art way and set design were critical to the feeling of the picture”(Rebello 67).

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