Submarine Film Review Essay

Submarine Film Review Essay

You may have observed the tale of Oliver Tate, a 12-15 year old misplaced boy whom thinks of himself like a literary genius. Oliver posseses an unusual display screen presence, much like the rest of the cast, like he his shell shocked by everyday life. This individual has a greatly skewered; almost autistic notion of the world around him. Oliver has two main aims; to explore underneath the sullen act of our pyromaniac love fascination; Jordana Bevan and to rekindle the marriage of his father and mother. Oliver Tate (Craig Roberts) is our protagonist, the puppeteer of a film about his existence; narrated by him when he sits in his bedroom at his typewriter pondering his bizarre existence. What makes Oliver such an interesting character is the fact he doesn’t follow the trend of most protagonists, always being the alter-ego of the writer or overseer therefore they will be kind and compassionate and wonderful however Tate is usually cold, placid and shows no sympathy to any person else’s misfortune. He is amazingly self-indulgent. His iconic dark-colored duffel cover and notepad are reminiscent to a 1940’s ‘Clark Kent’ esque information reporter since Oliver reviews on his your life. He is extremely disconnected for the world about him just like his heart and soul sits some inches back from his eyes. The camera reveals his sketchy, skewered perception of truth by smashing the fourth wall membrane and communicating the inner workings of Oliver’s mind towards the viewer employing close-up photographs and the lyrics of the underscore. “Submarine” comes from the story by May well Dunthorne and was become the genius art-form it is by overseer Richard Ayoade. Comedian- Rabbit and the Bull. ) Rich is no new person to the camera but this is his debut feature length film. “Submarine” is a great iconic fusion of Ayoade’s deadpan, tongue in quarter, dark comedic delivery. His direction is incredibly prominent within the film. “Submarine” has a extremely homemade unpolished feel to its creation, ranging their camera operate from sequences of retro super 8 filming to distorted trousers through a kaleidoscope. It has impact on of quiet film through its san-serif style name frames for every single section of the film. Ayoade creates a extremely clinical, hard backed solid with minimal interactions. It’s this late awkwardness which makes the cliched romantic existence of fireworks, bicycle trips and beaches almost satrical. This placid nature is really very unique to this film. And then there’s Alex Turners delicate and beautiful soundtrack, something very diverse as to what you’d anticipate from the ‘Arctic Monkeys’ frontman. The music is usually driven throughout the film by the vehicle of Oliver’s cassette tape, that includes a positive A side and a negative W side that is certainly turned simply by Oliver since the story his told. The film is so nostalgically of its period it’s wrong. It is reminiscent of a beloved era of popular Uk culture. It includes very much been influenced simply by memories of both Ayoade’s and Dunthorne childhoods in “Submarine’s” early eighties placing making the film a nifty pop fable. There is a gritty honesty to “Submarine” that you would simply find within a British film. There’s anything very exceptional about British film. It is raw and it is exposing and that’s what sets this apart from everything else. Submarine” is a perfect example of a really British film. Submarine comes into the intensive generic genre of “coming-of-age comedy”, a genre that may be hugely focused by the American film market. A film because unique and quirky as “submarine” may easily become spoilt with a American development as it would be at risk of getting the infection of the cliched American teen video with ideal actors in a perfect placing, awfully man-made and forced humor and of course the happily ever after. That’s what makes “Submarine” so rejuvenating, it keeps its ethics and undoubtedly it’s really British styling’s and very very much holds its amongst a sea of the hundreds of other general films of its genre. “Submarine” can be one of those motion pictures that can’t really be faulted because genuinely you can’t compare that to anything else. It is brilliant and representational of a youthful boy who plunged straight down too profound into his own thoughts and self-discovery, using the repeated theme of a submarine. This delves down through themes of mortality and depression to uncover bittersweet dark funny, that is simply so straight-forward you can’t help although overlook the unhappiness and just celebrate a film that is no doubt the turning point for new; raw distinctive British skill, in front and behind the camera. If this film will teach you nearly anything it’s that reading the dictionary isn’t always a good thing, to never trust a marvel, that placing fire to stuff is definitely fun and certainly that “the ocean is six a long way deep. ” Submarine is definitely a special film.

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