An essay on the first stanza of A game of chess Essay
Through phoning this poem ‘A video game of chess’, Eliot goes on with the motif he starts off in ‘The burial from the dead’ of people who are caught in a wasteland and making no hard work to escape this, so are consequently stuck like a those in a check-mate during a real game of chess. The title is likewise a reference to ‘Women be mindful women’ by Middletone, a story in which a mother-in-law is playing chess, unaware that each move the lady makes around the chess plank is matched by a move in the seduction of her daughter-in-law by the fight it out in the tale. The reference to Middleton’s ‘Women beware women’ gives a depiction of enthusiasm and lust which Eliot uses like a contrast in the poem. In the first stanza, Eliot explains a room that may be elaborately decorated and stuffed with beautiful products such as, “Sevenbranched candelabra” and “Vials of ivory and coloured a glass. ” Even though the room is definitely decorated expensively, through real estate the expensive items, this individual devalues these people using bathos and parodying the woman’s efforts to make a room that may be full of amazing items and ending up reduction of value in them. He compares the lady’s room to Imogen’s bedroom in ‘Cymbeline, ’ through the reference to cupids, emblems of love. To stress the fact that although the female has all of them, they are not full of life just like the ones in Imogen’s bedroom. The woman in the room, a metaphor for people in the wasteland, is completely artificial and Eliot shows us that he disapproves of this through his a comparison of her with people, such as Cleopatra, who happen to be symbols of true art and passion. He writes, “The Chair the lady sat in, like a burnished throne” in reference to the line by Shakespeare’s ‘Antony and Cleopatra’ that says, “The barge she seated in, such as a burnished throne. ” Using this method, Eliot analyzes Cleopatra, identified as being of ‘infinite variety’ to the woman which challenges the fact that she is both equally artificial and sterile. As well, in the lady’s room can be an attractive carv(d dolphin which Eliot mocks as the dolphin was a medieval symbol of affection and something Hatshepsut used to explain Antony, yet the woman has it in her sterile place which is needing love. Eliot feels the fact that woman’s lifestyle violates that of those in myth. This individual shows this kind of using recommendations to Ovid’s story of Philomel. A mythical female who was transformed into a nightingale, after her tongue was removed simply by her sibling in-law king Tereus, to stop her from telling other folks that this individual raped her. He tells of how the lady cried, “Jug, jug. ” But just how it comes on “dirty ears” individuals in the wasteland cannot understand and therefore always stay in their ways and thus commit sins as poor as Tereus’ actions. Throughout the story, Eliot shows that authentic passion is not easy to obtain and like Tiresias, Philomel had to be violated prior to she can receive an “inviolable voice”. Not only is the room full of lifeless art, it is also an eerie and disturbing place. We are advised that the space is mixed with color as it mentions, “Sea real wood fed with copper. ” A chemical reaction that, “Burned green and orange. ” The use of a reaction reminds us that the room is extremely man-made and unnatural. This kind of idea is re-enforced simply by, “Strange and synthetic scent. ” Most of these things create a stuffy ambiance, almost blinding the vision because of the bright colours. The presence of the chemical suggests a lack of fresh air and suggests that this woman will be having trouble deep breathing another indication that the girl with barely existing and not really alive. The nightmare establishing created in ‘A game of chess’, is an example of the world as Eliot recognizes it. A capitalist community filled with passionless people who this individual feels simply exist to fulfil their particular temporary and carnal desire. He criticises the woman while rather than aiming to escape, the girl masks the atmosphere with her perfumes. He as well makes referrals to “the Sylvan scene” from ‘A paradise lost’ by Milton accompanied with the, “Standards wrought with fruit vines” to demonstrate what appears to be an effort created by the woman to attempt to turn the bedroom from heck into a haven. But explains to that she fails, beginning her ancestry into craziness shown afterwards in the composition. Eliot makes this area as a nightmare of the woman and then tells of how she actually is trapped in it, despite the fact that she tries to communicate with the actual so desperately that actually, “her locks, Spread out in fiery points, Glowed in words” exposing her desolation to communicate with the outside world.
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